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Measures: 60 - 150
Participation: 100%
Unique Accidentals: > 4
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Handel
Minuet (Water Music), HWV 350
janiyaaaaa
3:16 Est. Play
Time
76 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 24 5 6 100%
Bass 19 0 3 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 24 5 6 100%
Bass 19 0 3 3 100%
 
Handel - Passacaille Suite 7 - HWV 432
pental
5:07 Est. Play
Time
65 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 13 8 7 98%
Bass 25 32 6 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 13 8 7 98%
Bass 25 32 6 5 100%
 
1. Sinfonia (Overture)
Pika3323
2:37 Est. Play
Time
98 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
I		 Treble 24 0 8 7 98%
Violin
II		 Treble 22 0 6 8 96%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
I		 Treble 24 0 8 7 98%
Violin
II		 Treble 22 0 6 8 96%
Viola 19 0 5 8 93%
Cello Bass 22 0 7 7 92%
 
Passacaglia – Handel/Halvorsen
TruuMoo
2:16 Est. Play
Time
74 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 0 6 4 97%
Bass 20 6 1 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 0 6 4 97%
Bass 20 6 1 2 100%
 
Handel, G.F., O Sing unto the Lord a New Song
pental
3:11 Est. Play
Time
60 Measures
1,136Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 35 9 7 99%
Bass 27 19 7 7 93%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 35 9 7 99%
Bass 27 19 7 7 93%
Organ Treble 27 0 5 5 100%
Oboe Treble 17 0 5 7 98%
Violino
I		 Treble 22 0 6 7 98%
Canto Treble 15 0 4 8 95%
Bassoon Bass 17 0 4 5 93%
Violino
II		 Treble 25 0 8 6 93%
Violoncello Bass 21 0 5 5 93%
Contrabass Bass 20 0 4 5 92%
Basso Bass 16 0 5 8 90%
Tenore Treble 16 0 6 7 78%
 
HWVA3N15 - "Se Fiera belva"
edward.maurath
6:18 Est. Play
Time
71 Measures
1,346Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 19 19 6 6 77%
Bass 23 9 6 8 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 19 19 6 6 77%
Bass 23 9 6 8 100%
Cembalo Continuo Treble 17 8 5 6 65%
Bass 23 34 7 8 100%
Contrebasso Continuo Bass 20 0 5 5 91%
Violini Treble 28 0 9 5 91%
Violoncello Continuo Bass 20 0 5 5 90%
Castrato Alto
as Bertarido		 15 0 5 5 66%
Bassoon Continuo Bass 21 0 5 4 65%
Viola 14 0 1 5 42%
 
Handel Allegro Siebente Suite in g moll - HWV 432
pental
1:56 Est. Play
Time
69 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 2 8 5 100%
Bass 20 0 5 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 2 8 5 100%
Bass 20 0 5 5 100%
 
Händel - Lascia Ch'io Pianga, for Flute and Harp
Hyeon Kim
0:01 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 24 5 9 100%
Bass 16 24 4 6 100%
Flute Treble 12 0 3 12 71%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 24 5 9 100%
Bass 16 24 4 6 100%
Flute Treble 12 0 3 12 71%
 
Messiah| No.33: Lift Up Your Heads, O Ye Gates
Pete Alan
2:34 Est. Play
Time
78 Measures
1,195Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 124 6 6 100%
Bass 31 20 6 7 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 124 6 6 100%
Bass 31 20 6 7 100%
Alto Treble 8 0 1 7 90%
Tenor Treble 12 0 2 7 82%
Soprano
II		 Treble 11 0 1 7 78%
Bass Bass 15 0 2 6 74%
Soprano
1		 Treble 8 0 1 5 21%
 
HWV1A2N4 - Lass ein sanftes Händedrücken
edward.maurath
2:30 Est. Play
Time
85 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 43 7 4 96%
Bass 24 26 7 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 43 7 4 96%
Bass 24 26 7 4 100%
Bassoon Continuo Bass 20 0 4 4 100%
Double Bass Bass 19 0 4 4 100%
Bass
as Consalvo		 Bass 12 0 3 6 65%
Oboe
1		 Treble 15 0 2 5 53%
Oboe
2		 Treble 16 0 4 5 52%
 
HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)
edward.maurath
2:58 Est. Play
Time
77 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 24 6 8 97%
Bass 22 28 5 6 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 24 6 8 97%
Bass 22 28 5 6 100%
Violoncello (Continuo) Bass 19 0 3 6 100%
Alto
as Dorinda		 15 0 4 8 78%
Contrabasses Bass 8 0 0 3 8%
Viola 10 0 0 3 8%
Violins I



 Treble 11 0 0 5 8%
Violins II



 Treble 10 0 0 3 8%
Violoncellos Bass 8 0 0 3 8%
 
HWV1A2N24 - Movei passi a le ruine (WIP)
edward.maurath
2:57 Est. Play
Time
95 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
1		 Treble 21 0 7 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
1		 Treble 21 0 7 4 100%